How to Be a Japanese Reggaephile
Step one: Move to Kingston or Brooklyn, and try not to get killed
By Josh Chamberlain
Tuesday, July 28th 2009 at 2:14pm
Minako Ikeshiro
Mighty Crown, triumphantIn 2001, longtime hardcore reggae fan Hidetsugo Haji faced a dilemma. He wanted to be a part of the "real thing," but he lived in Japan, which lacked some basic pieces: a ghetto, for example, and the everyday struggles that come with such blatant economic disparity, not to mention the extraordinary opportunity to look such inequality in the face and overcome it. But thanks to dancehall reggae's vibrant cassette-tape circuit, buoyed by live dancehall sessions and soundclashes between famous sound systems like Stone Love, Bass Odyssey, and Killamanjaro, he knew where to go.
"In Japan, I grew up listening to Stone Love cassette tapes," says "King" Haji, the alter ego he uses when deejaying with his now-Brooklyn-based sound system, King Jam Unlimited. "We listened to soundclash cassette tapes and knew the Biltmore in Brooklyn and other famous clubs. We knew many famous West Indians lived there. In New York, when you think of reggae, you think of Flatbush-Church right away. Tourist books say New York and Brooklyn not really safe, but it is a place I know we can get more close to the Caribbean community."
So that's where he went...
Step one: Move to Kingston or Brooklyn, and try not to get killed
By Josh Chamberlain
Tuesday, July 28th 2009 at 2:14pm
Minako Ikeshiro
Mighty Crown, triumphantIn 2001, longtime hardcore reggae fan Hidetsugo Haji faced a dilemma. He wanted to be a part of the "real thing," but he lived in Japan, which lacked some basic pieces: a ghetto, for example, and the everyday struggles that come with such blatant economic disparity, not to mention the extraordinary opportunity to look such inequality in the face and overcome it. But thanks to dancehall reggae's vibrant cassette-tape circuit, buoyed by live dancehall sessions and soundclashes between famous sound systems like Stone Love, Bass Odyssey, and Killamanjaro, he knew where to go.
"In Japan, I grew up listening to Stone Love cassette tapes," says "King" Haji, the alter ego he uses when deejaying with his now-Brooklyn-based sound system, King Jam Unlimited. "We listened to soundclash cassette tapes and knew the Biltmore in Brooklyn and other famous clubs. We knew many famous West Indians lived there. In New York, when you think of reggae, you think of Flatbush-Church right away. Tourist books say New York and Brooklyn not really safe, but it is a place I know we can get more close to the Caribbean community."
So that's where he went...
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